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Graham Keane, the creative force behind the acclaimed progressive metal project The Vicious Head Society, returns with his third studio album, Call of the Void — a stark, deeply personal exploration of identity, struggle, and renewal.
Departing from the sweeping societal themes of his earlier work, Keane turns inward, tracing the defining moments that have shaped him within the fading embers of a personal cycle. Call of the Void confronts the slow, corrosive pull of losing one’s purpose, capturing the tension between resistance and surrender with unflinching honesty.
While the album preserves the project’s signature blend of technical precision and soaring melody, Keane channels a heavier emotional weight into the music. The result is a sonic landscape that mirrors the arduous path of self‑discovery — turbulent, atmospheric, and relentlessly human. Listeners are invited to confront their own recurring cycles and find meaning in the darkness.
Musically, the album reaffirms Keane’s reputation as an Irish guitar virtuoso. Complex, intricate arrangements intertwine with crushing heaviness and moments of stark beauty, forming a dynamic palette that showcases both his compositional ambition and his unmistakable guitar voice. Every passage reflects the grit and resolve of an artist pushing through the darkness toward clarity.
Call of the Void stands as a powerful statement from a musician at the height of his creative powers, further solidifying The Vicious Head Society’s place in the modern progressive metal scene.
| Track: | Duration: | CD: | LP: | |||||
| 1. | Fractured | 5:38 | CD1-1 | A1 | ||||
| 2. | The Edge of Time | 4:48 | CD1-2 | A2 | ||||
| 3. | Holding On to Forever | 5:20 | CD1-3 | A3 | ||||
| 4. | The Tide | 5:15 | CD1-4 | B1 | ||||
| 5. | Ignite | 5:57 | CD1-5 | B2 | ||||
| 6. | The Void | 7:31 | CD1-6 | C1 | ||||
| 7. | The Edge of Time Pt. 2 | 4:02 | CD1-7 | C2 | ||||
| 8. | Distant Lights of Home | 13:24 | CD1-8 | D1 | ||||
| Graham Keane | Guitars, Synths | |
| Klemen Markelj | Drums | |
| Nathan Max | Vocals | |
| Matheus Manente | Bass | |
| Nahuel Ramos | Synth Solos |
| Additional Musicians: | Paul Phillips - Bass on The Tide | |
| Pat Byrne - Bass on The Edge of Time Pt. 2 | ||
| Alec Noonan – Backing vocals on The Edge of Time Pt. 2 | ||
| Wilmer Waarbroek - Additional vocals on Ignite | ||
| Bertrand Juve - Saxophone on Distant Lights of Home | ||
| Sareeta – Violin on Ignite and Distant Lights of Home |
Written and Produced by Graham Keane.
Mixed and Mastered by Matheus Manente.
Artwork and Design by Jon Isaac Gutman
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For Graham Keane, the creative force behind the progressive metal project The Vicious Head Society, music has never been about trends, algorithms, or mass appeal. It has always been an internal imperative — a need to create.
That drive began with a single, electrifying moment: seeing Eddie Van Halen perform as a young boy. The spark of that experience, combined with the influence of his older brothers — both deeply immersed in progressive music — set Keane on a lifelong path of exploration. Growing up surrounded by complex arrangements and unconventional structures, he didn’t just learn to play guitar; he learned to think in scales, time signatures, and narrative arcs.
Despite his technical command, Keane’s philosophy has always been clear: the song comes first. Emotion comes first. “I’m always pushing to become a better writer rather than just a faster guitar player,” he says. His evolution as an artist is defined by a relentless desire to expand his harmonic vocabulary and deepen the emotional resonance of his work.
The Vicious Head Society transformed from a creative outlet into something essential after a profound personal turning point. Witnessing his wife’s courageous battle with cancer forced a confrontation with mortality and the finite nature of time. In that moment, music became more than passion — it became purpose.
“We’re all on a page, mortality‑wise,” Keane reflects. “It made me realize I needed to do something meaningful with my existence — to put my best foot forward and share something that reflects the human experience we all share.”
Whether performing for ten people or ten thousand, Keane is driven by that same need: to create something honest, something meaningful, something that stands as his contribution to the shared human story. The Vicious Head Society is built on that foundation — integrity, passion, and the unwavering belief that the music must be made.
| Call of the Void | Album | 2026 | ||||||
| Extinction Level Event | Album | 2021 | ||||||
| Abject Tomorrow | Album | 2017 |
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ECHOES FROM THE PAST — Chasing Demons' debut album is out now!
The wait is over! Finally, the debut album Echoes from the Past is out – available today, September 5, 2025, on your preferred streaming platform, as well as digipak CD and hand-numbered, 180 g gatefold LP on orange vinyl!
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| Track: | Duration: | |||
| 1. | The Continuation [Remastered] | 3:16 | ||
| 2. | The Mask [Remastered] | 12:50 | ||
| 3. | Not Alone [Remastered] | 9:10 | ||
| 4. | Giant Prize [Remastered] | 3:16 | ||
| 5. | The Gamer [Remastered] | 24:43 | ||
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| Track: | Duration: | |||
| 1. | Cinnamon [Remastered] | 5:40 | ||
| 2. | The Colour of Seasons [Remastered] | 6:51 | ||
| 3. | A Day in a Hero's Life [Remastered] | 21:34 | ||
| 4. | The Eagle [Remastered] | 7:11 | ||
| 5. | Don't be Afraid [Remastered] | 10:01 | ||
| 6. | To Be Continued... [Remastered] | 2:48 | ||
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Chasing Demons brings old-school Heavy Metal roaring back with raw analogue power fueled by energetic riffs and heavy 80s-90s vibes.
| Track: | Duration: | CD: | LP: | |||||
| 1. | Fly Into the Clouds | 20:08 | CD1-1 | A1 | ||||
| 2. | Echoes From the Past | 22:57 | CD1-2 | A2 | ||||
| 3. | Some Kind of Madness | CD1-3 | A3 | |||||
| 4. | Aces Lost | CD1-4 | A4 | |||||
| 5. | Reality | CD1-5 | A5 | |||||
| 6. | Devil's Dome | CD1-6 | B1 | |||||
| 7. | Fighting Fire with Roses | CD1-7 | B2 | |||||
| 8. | Chasing Demons | CD1-8 | B3 | |||||
| 9. | Time Waste | CD1-9 | B4 | |||||
| Geir André Gjerstad | Lead Vocals | |
| Børge Brand | Lead Guitar | |
| Tommy Viken | Rhythm Guitar and Backing Vocals | |
| Vegard Liverød | Drums, Bass Guitar, and Backing Vocals | |
| Henrik H. Kaupang | Drums |
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Chasing Demons brings old-school Heavy Metal roaring back with raw analogue power from five Norwegians rocking like it’s 89. Fueled by energetic riffs and heavy 80-90s vibes, their debut single Fly into the Clouds rips into the tragedy of war and the tyrants who start them.
The first single was released in May 2025, followed by two more singles until the full album “Echoes from the Past” was released in September 2025.
| Geir André Gjerstad | Lead Vocals | |
| Børge Brand | Lead guitar | |
| Tommy Viken | Rhythm Guitar, Backing vocals | |
| Vegard Liverød | Bass, Drums, Backing vocals | |
| Henrik H. Kaupang | Drums |
| Echoes from the Past | Album | 2025 |
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Band contact: Tommy Viken - This email address is being protected from spambots. You need JavaScript enabled to view it.
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Black Science and White Lies follows a man's journey through faith, identity, and redemption. Raised under strict religious doctrines in a society that believes in divine salvation, he becomes disillusioned and abandons his faith. Running away from home, he embraces a new ideology and joins a seemingly perfect society.
However, his growing doubts about this utopia drive him to escape and face the world's harsh realities. Returning to his estranged father, he reflects on his mistakes and seeks redemption, ultimately longing to reconcile with the beliefs he once rejected. The story explores themes of spiritual conflict, personal transformation, and the quest for atonement.
| Track: | Duration: | CD: | LP: | |||||
| 1. | White Lies | 20:08 | CD1-1 | A1 | ||||
| 2. | Black Science | 22:57 | CD1-2 | B1 | ||||
| Hans Andreas Brandal | Lead vocal | |
| Stig André Clason | Guitars and vocal | |
| Kristoffer Utby | Drums and vocal | |
| Bård Thorstensen | Keyboards and vocal | |
| Emil Olsen | Bass, baritone, and vocals |
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Mindscapes is the 4th album by Norwegian prog band The Windmill. All music and lyrics were composed and written by Jean Robert Viita and Erik Borgen. All arrangements by The Windmill.
The creation of this album, Mindscapes, is a testament to The Windmill's unwavering dedication and boundless creativity. It consists of four tracks, including the epic Fear and three other shorter songs. The album was meticulously written and recorded from October 2022 to April 2024 and expertly mixed and mastered by Karl Groom, ensuring a high-quality musical experience for the listeners.
Drawing inspiration from Camel, Genesis, and Jethro Tull, The Windmill has evolved their sound in this album. Mindscapes might have a slightly harder sound than their previous albums, promising a fresh and exciting musical experience for the fans.
| Track: | Duration: | |||
| 1. | Fear | 22:47 | ||
| 2. | Calton Hill | 4:55 | ||
| 3. | I Still Care | 6:52 | ||
| 4. | Nothing in Return | 5:55 | ||
| Arnfinn Isaksen | Bass guitar | |
| Stig André Clason | Lead guitar | |
| Erik Borgen | Guitars, Lead vocals | |
| Jean Robert Viita | Keyboards, Backing vocals | |
| Morten L. Clason | Flutes, Saxophone, Backing vocals | |
| Nils Harsem | Drums |
| Kristoffer Utby | Drums on album | |
| Emil Olsen | Acoustic guitar on Fear | |
| Karl Groom | Mixing and mastering | |
| Stig André Clason | Desing | |
| Kirsten Knoph Viita | Artwork |
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The progressive rock band The Windmill was started in the autumn of 2001 as an occasional prog project for fun, as a side project alongside various other bands the band members then played in. The background for the band and the name is a "revelation" keyboard player Jean Robert Viita received in Germany in the early 90s. Above a hilltop, a windmill farm appeared, and Jeanni discovered that the rotors in the windmills seemed to rotate synchronously with Camel's "Moonmadness" playing on the car stereo. There and then, the seed of The Windmill was sown!
The first years were characterized by sporadic rehearsals, during which both own songs and classic prog songs were played just for fun. At that time, the idea of a permanently established band with live performances and recordings was relatively distant.
But ambitions tend to develop, and in autumn 2005, it was decided to start recording the debut album "To Be Continued....". They began with recordings and rehearsals in (then) guitarist Bent Jensen's studio in Fredrikstad, where a complete digital studio was available. The band started to take shape as a proper band and not just a side project, and regular rehearsals were introduced, parallel to the studio work.
Most members began to think this band was more attractive than those they were involved with and decided to commit themselves fully to The Windmill. A new drummer, Sven H. "Bulle" Borgen, was brought in as a replacement for Vidar Kleivane, who chose to retire.
After much trial and error in 2005 and 2006, the first live concert was held at Maiden in Oslo in April 2007 as a support act for another Norwegian prog band, Panzerpappa. This concert proved a success and spurred further efforts in the rehearsal room and studio.
After this, the recordings continued, and several concerts followed. A minor setback came in 2008 when drummer "Bulle" withdrew from the band. However, he finished the recording (drums) of "To be Continued...".
2009 started with a new drummer, Sam Arne Nøland, and a new rehearsal room in Åros. With Nøland's entry, a new glow came into the band, and more concerts followed.
At the beginning of 2010, guitarist Bent Jensen chose to retire due to a lot of work with Pulse of Floyd. The mixing of the debut album continued, however, and in mid-March, it was sent for mastering at Sterling Sound in New York, and "To Be Continued..." was released in May 2010 to fantastic reviews worldwide. The release gig was held on May 7, 2010, in Slemmestad. It was the first concert without lead guitarist Bent, and that created a little extra excitement. However, there was no need to panic: Morten and Erik tuned the guitars perfectly to fill in the gaps left by Bent. It was a fantastic concert, with a fantastic audience!
The next live performance was on July 31 of the same year, Up On The Farm BBQ, a festival based on food and music. Here, the new lead guitarist, Stig André Clason, was presented for the first time. His brilliant performance exceeded all expectations, and he became a permanent band member.
In 2011, The Windmill got the chance to bring their music out to a larger audience when a gratifying number of gigs appeared after the CD release: Nordkappfestivalen, Honningsvåg, warm-up for Fish in Drammen, and for The Watch at John Dee, Oslo, Norway and the Art Rock Festival in Lidköping, Sweden should be mentioned.
In the autumn of 2011, they returned to the studio to start recording the follow-up album "The Continuation".
During 2012, several great concerts were held in Norway, and a lot of hard work was done in the studio. The last chord was recorded at the end of December, and "The Continuation" was sent for mixing and mastering in mid-January 2013. Again, Lydspesialisten in Fredrikstad was responsible for mixing, and Sterling Sound was again responsible for mastering in New York. This time, it was also decided to press a limited edition of vinyl LPs. "The Continuation" was ready for release on March 13, 2013.
2010-2016 offered several pleasant tours and concerts at home and abroad. In particular, it was incredibly nice to play on the main stage at the Cambridge Rock Festival in 2014 and 2016, the Haugaland Progrock Festival in Haugesund with Junipher Greene in 2015, and the concert with Adventure and Fish at Kimen Cultural Center in Stjørdal also in 2015. The We Låve Rock Festival concert in Hurum in 2018 should also be mentioned, along with Arena and the Franck Carducci Band. In autumn 2016/spring 2017, the band acted as a backing band for Caamora Norway, which staged Clive Nolan's musical "Alchemy" at Sætre, Kolbotn, and Høytorp Fort at Mysen.
The recording of "Tribus" began in autumn 2016. The album consists of songs that had been in the live repertoire for a while and completely new songs that have never been played live. As usual, The Windmill has an epic song when it comes to a new album, and this year's contribution is called "The Tree" and clocks in at close to 24 minutes.
The album was partly recorded at Morten Clason's summer house in Sweden, at Stig André Clason's home studio in Oslo, and in the band's combined rehearsal room and studio in Hurum. Karl Groom (Threshold, Shadowland, Strangers On A Train) mixed and mastered the album at Thin Ice Studios in England.
In the spring of 2018, the band received the unspeakably sad news that drummer Sammi Nøland had contracted cancer. He just managed to record the drums on the entire album before his strength ran out in late April. In August, the news came that the disease had worsened significantly and that, unfortunately, it was rapidly declining. On the night of September 5, Sammi died, leaving a massive void in the band that has yet to be filled. RIP, Sammi! A wonderful person and sparkling drummer has left us.
"Tribus" was officially released on November 15, 2018, in connection with the release gig at Belleville in Oslo. Once again, the reviews were fantastic, both in Norway and abroad. In the wake of "Tribus," there was an extensive concert activity in 2019, and the highlights worth mentioning are the Night of the Prog Festival in Loreley, Germany, in July and the Summers End Festival in Wales in October. The Close To The Rain Festival in Bergen in June and Prog At Sea should also be mentioned at the end of August.
Work started on new songs for the fourth album at the beginning of 2020, but the Corona outbreak in March 2020 placed the band on the sidelines for a while. Playing at the Klokkarstua Festival in Hurum in 2021 and 2022 was pretty much the only activity after the Corona. In August 2022, work on album number 4 started again.
In October 2022, the band played two warm-up concerts for the English prog band Arena: at Cosmopolite in Oslo on Saturday, October 15, and at Musikens Hus in Gothenburg on Sunday, October 16.
2023 offered several ups and downs. The Windmill played at the Midsummer Festival in Valkenburg, the Netherlands, and Prog en Beauce in Pierres, France. Work on album No. 4 continues.
In October, drummer Kristoffer Utby, who had been with the band since 2018, retired to spend more time on his project, Infringement. The new drummer from January 2024 is Nils Harsem from Slemmestad. He debuted live with the band at a memorial concert for sound engineer Morten Skancke on January 15, 2024.
The fourth album, Mindscapes, was finally finalized and ready for release on July 1, 2024, for CDs and digital formats. The vinyl versions are scheduled for August 1, 2024.
The Windmill is also invited to play on the last day of the last Night of the Prog Festival in Loreley, July 21. This is a great honor. At this event, the young guitarist Emil Olsen will substitute Stig André Clason, who, unfortunately, is unable to participate.
| Arnfinn Isaksen | Bass guitar | |
| Stig Andrè Clason | Lead guitar | |
| Erik Borgen | Guitars, Lead vocals | |
| Jean Robert Viita | Keyboards, Backing vocals | |
| Morten L. Clason | Flutes, Saxophone, Backing vocals | |
| Nils Harsem | Drums |
| To Continuation [Remastered] | Album | 2025 | ||||||
| To be Continued... [Remastered] | Album | 2025 | ||||||
| Mindscapes | Album | 2024 | ||||||
| Tribus | Album | 2018 | ||||||
| The Continuation | Album | 2013 | ||||||
| To Be Continued... | Album | 2010 |
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